A late 19th/early 20th century painted terracotta model of a pug dog
The animal with inset glass eyes and modelled with a collar with additional string collar hung with a medallion from the Tail Waggers Club London. 32 cms high.

JOSEPH LE GULUCHE (1849-) French
Le Bucheron, a woodman resting on a tree stump
Painted terracotta
Signed and impressed Fontaine. Du Aieux, Paris
75 cms high

JOHN ALEXANDER STEVENSON (19th/20th century) British
A bronze portrait roundel of Lord Kitchener
Cast with a portrait within a berried laurel wreath headed with the inscription K of K (Kitchener of Khartoum), the front signed Myrander. Sc. 1916, the reverse signed in relief J.A. Stevenson
41 cms diameter

PELESCHKA, German/Austrian
A bust of Beethoven
White marble
Inscribed and indistinctly signed, the reverse with circular recessed area previously with the founders stamp
33 cms high

Note: Possibly by FRANZ PELESKA-LUNARD (1873-)

ERNEST HENRI DUBOIS (1863-1931) French
A standing figure of Fortuna
Bronze with mid brown patination
Signed
66 cms high

A set of twenty-four late 18th/early 19th century bronze portrait roundels of male and female figures from Ancient Rome and Greece
Each modelled in profile, each later inset into walnut panels. Each plaque approximately 5.5 cms high, the panels 24 cms high. (24)

A 19th century bronze model of a recumbent greyhound
Modelled lying on a conglomerate marble base. 17 cms wide.

A 19th century lead model of a greyhound
The animal modelled standing licking a bandaged front leg. 23 cms wide.

A late 19th century Japanese carved ivory page turner
The handle carved to one side with an octopus being attacked by a crab, the other a terrapin, toad and a crab issuing a rounded plain ivory blade. 30 cms long.

A Cantonese carved ivory counter case
The circular lid carved with figures outside a pavilion and enclosing carved mother-of-pearl counters. 4 cms diameter.

A Japanese carved ivory okimono
Formed as a tiger and cubs, the underside signed and with netsuke holes. 6 cms wide.

A Japanese carved ivory okimono
Modelled as a monkey fighting an octopus, the underside signed and with netsuke style holes. 7.5 cms high.

A19th century bronze and iron door knocker
In the form of a stylised dolphin in the Italian renaissance style. 34 cms high.

A 19th century Continental icon
The central portrait of Christ within draped surround supported by angels with figure of a Saint to the side. 33.5 x 27 cms.

A brass framed hexagonal lantern
For use either as a table lamp or a hanging light. 45 cms high.

A pair of Italian gilt wood candlesticks, probably early 18th century
Each with tin nozzle and drip-pan above a foliate cast spreading column with bulbous knop decorated with swags and flowers above a tripartite base carved with cherub masks, scrolls and paw feet, (partially re-gilt). Each 52 cms high. (2)

Provenance: All Saints Church, Newmarket, Suffolk. This church stood at the edge of the grounds of the Royal Palace built by King James 1 and is recorded as being used as a Parish church by Charles I and King Charles II.

A set of three gilt metal twin branch wall lights, in the Louis XV style
Each with foliate cast back plate issuing twin floral branches; and another similar example but with three branches. Approximately 40 cms high. (4)

A pair of Victorian marble and black slate Egyptian Revival obelisks
With hieroglyphic decoration. 47 cms high. (2)

An unusual veterinary training preserved half pigeon
With one side showing bone structure, the other feathered.

A preserved hedgehog

An oak cased pigeon timing clock by Plasschaert, cased
And two others, similar. (3)

A painted wooden pigeon decoy

A painted wooden duck decoy

An unusual 19th century burr wood box
The rectangular body with hinged lid, covered overall with uncut burrs. 128 cms wide.

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A late 20th century German metronome, an early 20th century metronome by Maelzel (with timing bell), an early 20th century French metronome by Maelzel Paquet (missing base and slide), and an early 20th century metronome by Maelzel Paquet (missing key) (4)

A 20th century ukelele/banjo
The head stock stamped Reliance No. XX, cased; and a 20th century banjo, cased. (2)

A late 19th Italian century Italian mandolin
The interior bearing a label F. DE MUREDA 27 Vicoletto del Leone Napoli, cased; and a late 19th century mandolin, the interior bearing a label Alfonso Moretti Napoli, cased. (2)

A mid 20th century East European size violin, cased, with two bows

An early 20th century German size violin
The interior bearing a label The Maidston, Urdoch Murdoch & Co London EC.

A late 19th century German size violin

A late 19th century German size violin

A late 20th century Chinese violin
The interior bearing a label Skylark Brand; and a late 20th century Chinese violin, the interior bearing a label The Stentor Student Violin. (2)

A late 19th century German violin
Stamped both to the interior and below the button on the back HOPF.

A late 19th century German violin
The interior bearing a label Janurius Gaglianus, Alumnus Antonii Stradivarii, fecit Neapoli Ao: 1715.

A late 19th century violin
(Worm damage to bottom rib).

A late 19th century German violin
The initials AW stamped on a shield below the button.

A late 19th century German violin
The interior and the back, below the button, stamped Copy of Ole Bull, Germany.

An early 20th century German violin
The interior bearing a label Modell nach Amati von C. Glier Dresden Anno 1927.

A late 19th century German violin
The interior bearing a label Copy of Antonius Stradivarius, Made in Germany.

A mid 19th century German violin, possibly Mittenwald

A late 19th century German violin
The interior bearing a label Jacobus Stainer in Absam prope Oenipontum 17 and stamped Stainer below the button.

A late 19th century German violin
The interior bearing a label Copy of Antonius Stradivarius Made in Germany.

An early 20th century French violin
The interior bearing a label Copie de Antonius Stradivarius cremonensis faciebat Anno 1721.

A late 19th century German violin, cased

A late 19th century German violin
The interior bearing a label Vuillaume a Paris, Rue Croix des Pettis Champs.

Probably a German or Austrian violin, possibly 18th century
The interior bearing a label Simon Joannes Havelka fecit Lincii 1762.