Henri Matisse (1869-1954)
Nu Bleu II, 1954-56, lithograph, 13 3/4" x 10"

Provenance:
Purchased from Liberty of London in 1993. Sold together with original receipt.

David Hockney (b.1937)
Rapunzel Growing in the garden, 1969, etching, 17 1/2" x 11 3/4", from the series illustrations of six fairy tales from the Brothers Grimm, edition of 600

Provenance:
Caroline Wiseman Gallery. Sold together with original receipt.

Marc Chagall (1887-1985)
Le Clown Blanc, lithograph, 15" x 11"

Provenance:
Caroline Wiseman Gallery. Sold together with a copy of the receipt.

Henri Matisse (1869-1954)
Original pochoir, published as the cover to the catalogue of the exhibition organised by the galerie Berggruen, Paris, 1954. Edition c. 1000, Ref Duthuit 137, 8 1/2" x 4 1/4"

Provenance:
Caroline Wiseman Gallery. Sold together with original receipt.

Pablo Picasso (1881-1973)
Face, Proper Merimee, 1949, dry point etching on Montval wove paper, number 225 from the edition of 320, printed by Roger Lacouriere, no impressions were signed, from the set of 38 etching which comprise the album Carmen, which was signed in pencil by Picasso, Ref Cramer 52, 10" x 9 1/4"

Provenance:
Caroline Wiseman Gallery. Sold together with original receipt.

Henri Matisse (1869-1954)
Lady's head, Florilege des Amours de Ronsard, 1948, Lithograph, edition of 320, published by Albert Skira, 8 1/4" x 10"

Provenance:
Purchased from Caroline Wiseman Gallery.

Henri Matisse (1869-1954)
Fruit, Florilege des Amours de Ronsard, 1948, Lithograph, edition of 320, published by Albert Skira, 3 1/4" x 4 1/4"

Provenance:
Purchased from Caroline Wiseman Gallery.

Henri Matisse (1869-1954)
Mosquito, Florilege des Amours de Ronsard, 1948, lithograph in sanguine, edition of 320, published by Albert Skira, 4 3/4" x 6", gallery label verso

Reference:
Duthuit OI 25.

Provenance:
Purchased from Caroline Wiseman Gallery.

David Gentleman (b.1930)
Countryside landscape, signed in pencil, lithograph, 4 1/2" x 7"

After John Piper
Dorchester Abbey, signed in pen by the artist, print in colours, 22" x 30"

Edwin Ladell (1914-1970)
'The High, Oxford', 9/50, signed, titled and numbered in pencil in the margin, lithograph in colours, 18 1/2" x 24 1/2"

Vincent Wilson (b.1953)
Cornish Village, 10/30, signed, titled and numbered in pencil in the margin, aquatint, 13" x 15 1/2".

Graham Clarke (b.1941)
Low Tide, proof, signed and titled in pencil in the margin, linocut, 18 3/4" x 25"

Robert Tavener (1920-2004)
Tractor and Downs, artist's proof, signed and titled in pencil in the margin, linocut, 18" x 25"

John Brunsdon (b.1933)
Snowdon, 151/250, signed, titled and numbered in pencil in the margin, aquatint, 12 3/4" x 17 3/4"

David Hockney (b.1937)
Three Kings and Queen, 1961, signed, dated and titled in pencil in the margin, etching on wove paper, from an edition of approximately 50 impressions, printed by Ron Fuller and Peter Matthews at the Royal College of Art, 9" x 25 1/2"

William Walcot (1874-1943)
The Royal Institute of British Architects, Portland Place, London, signed in pencil in the margin, titled verso, etching, 6" x 9 1/2"; Graham Dudley Page (1905-?), Skysigns, Trafalgar Square, London, 20/50, signed and numbered in pencil in the margin, wood engraving, 5 3/4" x 7 1/4" and George Mackley, Diepenheim Mill, 12/75, 5" x 6" (3)

Victor Pasmore (1908-1998)
The Earth from Space, 1979, 61/70, signed, dated and numbered in pencil in the margin, screenprint, 21" x 38"

Julian Trevelyan (1910-1988)
Car (Love and Speed), artists proof, signed, titled and inscribed in pencil in the margin, aquatint, 9 1/2" x 13 3/4"

Julian Trevelyan (1910-1988)
LK927, 31/150, signed, titled and numbered in pencil in the margin, aquatint, 13 3/4" x 18 3/4"

Donald Hamilton Fraser (1929-2009)
Flowers on a stool, 1981, 5/200, signed, dated and numbered in pencil in the margin, blind stamp, screenprint, 22" x 17 1/2"

David Kindersley (1915-1995)
Alphabet, unsigned, 12" x 11 3/4"

Achilles Droungas (b.1940)
A Measure of Understanding, 154/250, 1972, signed, titled and dated in pencil in the margin, etching, 23 1/4" x 11"

Yaacov Agam (b.1928)
An op-art geometric picture, 67/99, signed and numbered in the margin, agamograph, 16" x 13 3/4"

John Piper (1902-1992)
'Sun Flowers at Marignac', 21/50, signed and numbered in pencil in the margin, lithograph in colours, 16 1/2" x 22", mounted but unframed

Alistair Grant (1925-1997)
'Blue Doorway', artist's proof, signed and titled in pencil in the margin, etching in colours, 19 1/2" x 15"

Sheila Robinson (1925-1987)
Red Tabby, 10/40, 1971, signed, titled and numbered in pencil, lithograph in colours, 18 1/4" x 23"

Anna Zinkeisen (1901-1976)
A meeting in the garden, signed in crayon and with blind stamp in the margin, Frost and Reed coloured lithograph, 21 1/4" x 17 3/4"

Montague Leder (1890-1970)
Still life of pink roses in a vase, port bottle and glass, oils on canvas, 15 1/2" x 19 1/2"

Biddy Picard (b.1922)
Black Hills, 1999, signed, titled and dated verso, oils on board, 5 3/4" x 12"

Alexander Robertson (1916-1992)
Still life of flowers and jug, oils on board, 15" x 20 1/2"

Jane Heather Bray (Contemporary)
On the seafront, 1996, signed, dated verso, oils on board, 5 1/2" x 7 1/2"

Lavinia Gallie (b.1950)
Still life with jugs and lemon, initialled, acrylic on board, 12 1/2" x 13"

Noel Betowski (b.1952)
House on the Moors, 1992, signed and dated, titled verso, oils on board, 11 1/2" x 14 1/2"

Mary Stork (b.1938)
Seated nude, signed and dated '29.7.96' in pencil in the margin, acrylic on board, 7 1/4" x 6 3/4"

Sally Bowman (Contemporary)
Nude figures titled 'Silent Partners', signed, oils, 9" x 8 1/4"

Anthony Hodge (Contemporary)
Beach at West Bay, Dorset, 1994, signed and dated, titled verso, oils on paper, 5 3/4" x 8 1/2", mounted but unframed

Cecil Beaton (1904-1980)
Heart, signed, watercolour, 9 1/4" x 11"

Tony Sheath (b.1946)
Harvest time, signed, oils on canvas, 19 1/2" x 23"

Provenance:
Haynes Fine Art of Broadway, 1998.

Malgorzata Bialokoz Smith (Contemporary)
Abstract in blues, pinks, white and black, 1990, signed and dated, gouache, 17" x 11"

Provenance:
The Estate of Betty Blandino.

Josef Herman (1911-2000)
Mother and Child, oils on canvas, 10" x 6 3/4"

Provenance:
From the estate of Betty Blandino and Gwyn Owen Jones. Jones was Director of the Museum of Wales for nine years. This lot is sold together with a letter and postcard, from Josef Herman, inviting Jones and his wife to visit Herman's studio. It is also sold with a copy of Josef Herman's Book Related Twilights inscribed 'To Mr. & Mrs Jones, with much affection, Josef Herman'.

Edna Clarke Hall (1881-1979)
Three female nude studies, pencil and crayon, one signed in pencil, 17 3/4" x 9 1/2"

Provenance:
The Estate of Betty Blandino.

Tricia Gillman (b.1952)
'Pot', inscribed and titled verso, oils on canvas, 11 3/4" x 11 3/4"

Vivian Eustace (20th Century)
Paris Street Scene, signed, watercolour, 9 3/4" x 12 1/2"

20th Century School
Street view with people and mountains in the distance, watercolour, crayon and pen, 14 1/4" x 17"

Manuel Prego de Oliver (1915-1986)
'Nino', signed, inscribed 'Orense - 1966' verso, oil on canvas, 26" x 21 1/2"

Patricia Perrion
'Nova', signed, acrylics, 24" x 18"

Ruth Bader Gilbert (Contemporary)
Landscape and chimney smoke, artist's name inscribed verso, mixed media, 23 1/4" x 36".

Muriel Mallows (Contemporary)
Camber Sands, artist's name and title inscribed in pencil verso, oils on canvas, 11 1/2" x 19 1/4"

Graham Clarke (b.1941)
Snargate, signed and titled, watercolour and pen, 8 1/2" x 11"