Geraldine Knight (1933-2008)
Three hill sheep, wax and plaster, 13" across.

Notes:
The bronze of this model was exhibited at The Sladmore Gallery, Geraldine Knight: Pastoral Portraits, exhibition as no.11.

Geraldine Knight (1933-2008)
A lady in a star printed dress seated on a bench, painted plaster, 12 1/4" across.

Geraldine Knight (1933-2008)
A folio of drawings, including a Geraldine Knight poster of a pharaoh, circa 1965, 28 1/2" x 20 1/2"

Geraldine Knight (1933-2008)
Figure with bird seated on a bench, simulated in the form of bricks, plaster, 12 1/2" across.

Geraldine Knight (1933-2008)
Shepherd holding a lamb and a flock of sheep, plaster, the shepherd 10" high.

Geraldine Knight (1933-2008)
Abstract metal build sculpture, in the form of twelve interlocking pieces.

Geraldine Knight (1933-2008)
Goat and Branch, resin, 24" high.

Geraldine Knight (1933-2008)
Cow's head, 1/10, signed and numbered, verdigris bronze, 10 1/2" across.

Geraldine Knight (1933-2008)
Black and white ellipses, painted fibreglass, 13 1/2" across, on an aluminium base.

Geraldine Knight (1933-2008)
Abstract tower structure, impressed initials, polished bronze, 8 1/4" high.

Geraldine Knight (1933-2008)
Black, White and Grey ellipses, painted fibreglass, 7" across.

Geraldine Knight (1933-2008)
A asymmetrical abstract tower sculpture, gilt bronze, 22 1/4" high, on a green veined marble base.

Geraldine Knight (1933-2008)
Cockerel on hen, 3/10, initialled and numbered, bronze, 7 1/2" across, on green marble base.

Geraldine Knight (1933-2008)
Pigeon, 1/10, signed and numbered, bronze, 12 1/2" high.

Geraldine Knight (1933-2008)
Cockerel and hen, signed, bronze, 6" across.

Geraldine Knight (1933-2008)
A dodecahedron organic form, bronze, impressed monogram, 6 1/2" across.

Geraldine Knight (1933-2008)
Numbered sheep, signed, pencil and gouache, 39" x 27 1/4".

Geraldine Knight (1933-2008)
Sphinx, signed, watercolour, 29" x 11 3/4".

Geraldine Knight (1933-2008)
The End of the Shearing, signed, pencil, 9 3/4" x 15 1/2".

Geraldine Knight (1933-2008)
Perching Chickens, signed, pencil and body colour, 10" x 15" and Cat on Cushions, titled verso, pencil and crayon, 11 1/2" x 15 1/2" (2)

Geraldine Knight (1933-2008)
Woman bathers, three material squares, approximately 16" x 16".

Geraldine Knight (1933-2008)
Goat, resin with rusted finish, 39" across

Geraldine Knight (1933-2008)
Armour, signed, titled on mount, watercolour, 17 1/2" x 11", unframed

Notes:
This is a preparatory sketch for a London Transport Poster, highlighting public transport to The Wallace Collection and the Victoria & Albert Museum.

Geraldine Knight (1933-2008)
Abstract undulating white painted wall plaque, 35 1/2" x 15"

An sculptor's wooden workbench, from the studio of Geraldine Knight, 39" across, 30" high

A sculptor's wooden workbench, from the studio of Geraldine Knight, 20 1/2" across, 32 1/2" high

Geraldine Knight (1933-2008)
A set of three pencil head studies of sheep's heads, one signed, and and a photographic print of Numbered Sheep, all under one mount

A sculptor's wooden work bench, 38 1/2" high

Geraldine Knight
A silvered resin Billy goat's head, 17" high

Mark Churchill (British, 1935-2011)
Gardens, Richmond, 1974, signed and dated, oils on board, 48" x 35"

Mark Churchill (British, 1935-2011)
Seascape, oils on board, 48 1/2" x 48 1/2"

Mark Churchill (British, 1935-2011)
Still life with glass, 1991, initialled and dated, oils on board, 38 1/2" x 30 1/2", gallery label verso

Exhibited:
The Mall Galleries, London, RBA Exhibition, 1993.

Mark Churchill (British, 1935-2011)
Abstract in yellow, pink, blue and purple, tempera, artist's label verso, 19 3/4" x 28"

Mark Churchill (British, 1935-2011)
Two still life studies of glasses and bottles in greens and blues, each 17 1/2" x 20 1/4"

Mark Churchill (British, 1935-2011)
Blue spotted abstact, oils on board, 29 1/4" x 41 1/2

Mark Churchill (British, 1935-2011)
Still life of jug, oils on board, 23 3/4" x 17 1/4" and another still life of bottles and pepper mill, oils on board, 20 1/2" x 28" (2)

Mark Churchill (British, 1935-2011)
Waves by white cliffs, oils on canvas, 30 1/2" x 43"

Mark Churchill (British, 1935-2011)
Venice with Santa Maria della Salute in the distance, oils on board, 19 1/2" x 19 1/2" and another similar Venetian canal scene (2)

Emile-Antoine Bourdelle (French, 1861-1929)
Portrait bust of a laughing girl, bronze, inscribed '© by Bourdelle' and stamped with Valsuani foundry mark, 15 1/2" high, 12" across

20th Century School
A seated nude girl pulling a robe over her head, resin, on a rectangular wooden base, 11 1/2" across

Ian Walters (1930-2006)
An abstract reclining form, fibreglass, approximately 90" high

Provenance:
Collection of the Artist's widow.

Note:
Ian Walters was born in Solihull and studied at the Birmingham School of Art. He taught at the Stourbridge and then the Guildford School of Art until the early 1980s. During his career he made sculptors of many of the leading figures of the his day, including Harold Wilson, Barbara Castle and James Callaghan, all displayed in the Houses of Parliament.

His most famous sculptor was of Nelson Mandela who he sculpted twice, one erected outside the Royal Festival Hall on the South Bank in London in the mid 1980s. For his second sculpture of Mandela in 2001, Mandela sat for him for nine hours. Mandela told him this was the longest time he had given any artist. It was unveiled in parliament square in 2007.

21st Century School
A model of a dancing figure by Christopher Leonard Townsend, 2001, wire understructure with air-hardening clay, 29 1/2" high

Dennis Westwood (British, b.1928)
Windslip, 4/6, initialled and numbered, verdigris bronze, 14 1/2" across, 14 1/4" high, on marble base.

John McKenzie (British, 1897-1972)
Star Quality, carved slate relief, initialled 'JM', 11 1/2" x 6 1/2"

Provenance:
Kaye Michie Fine Art, Richmond, London.

Geoffrey Dudley (British, 1918-1986)
'Games', a set of three bronze relief sculptures, 8 1/2" x 8 1/2"

Notes:
Dudley was a respected designer and sculptor, having studied at the Wolverhampton School of Art in 1939 and 1945-46. He was travelling scholar and lecturer in sculpture, but was particularly noted as the Head of the Sculpture department at Chelsea School of Art from 1974 to 1984.

A Jugendstil silver and enamel cigarette case, in the manner of Georg Adam Scheid, showing a lady smelling flowers, stamped 935, 3 1/4" x 3"

An Arts & Crafts white metal and enamel brooch, green enamel motif on blue ground, 1 1/4" across

An Arts & Crafts pewter and enamel jam pot and cover, with four enamel roundels and amethyst coloured glass liner, 4" high

A World War II silk map of Germany and surrounding countries, double sided, sheet E and sheet F, dated 1943, 29" x 31"

Alphonse Mucha (1860-1939)
Lefevre-Utile, Petites Gaufettes Vanille, chromo-lithograph biscuit tin label, printed by Champenois of Paris, signed in the image, 9" x 8 3/4"

Note:
In 1882 Louis Lefevre-Utile took charge of his family's biscuit business and turned it into one of the leading brands in France through aggressive and creative advertising. This included both marketing and packaging campaigns, where he employed Alphonse Mucha to create some of the designs.