A PAIR OF BRASS AND COPPER ARTS AND CRAFTS TAPERING JUGS with flared bases, and wooden handles, possibly Glasgow School of Art, circa 1880, 12" high

A NORWEGIAN SILVER LADLE with turned ebonised handle by G A Nystrom & Co, circa 1850, 16 1/2"

A LATE 19TH/EARLY 20TH CENTURY WALKING STICK with horn handle and silver wirework

A 19TH/EARLY 20TH CENTURY IRISH THORN WALKING STICK of Shillelagh/cudgel type

A 19TH/EARLY 20TH CENTURY RED LACQUERED BARLEY TWIST WALKING CANE with pressed silver metal top mounted by cast bronze head of Dante Alighieri

AN EBONISED WALKING CANE with carved and turned aluminium head, possibly military

AN INLAID BRASS AND IVORY CASKET enclosing two perfume bottles with brass lock and key, 4" high x 4 1/2" wide

A 1960'S PINK ENAMEL COMPACT

A CUT AND ENGRAVED GLASS CLARET JUG with silver plated mounts

A SET OF TWELVE SILVER COFFEE SPOONS and matching tongs in a green leather case, retailed by Mappin & Webb

A COLLECTION to include two silver top jars, a dressing table set, napkins rings, asparagus servers, bread forks, silver salts and spoons

A STAFFORDSHIRE ENAMEL SINGLE SALT painted with flower sprays on three scroll feet

A COLLECTION OF EIGHT SILVER TABLE SPOONS, 16 ozs

A COLLECTION OF TEN SILVER OLD ENGLISH PATTERN TABLE FORKS, 23 ozs approximately

A COLLECTION OF ELEVEN SILVER DESSERT FORKS, nine dessert spoons and eight teaspoons, 30 ozs approximately

A CONTINENTAL POSSIBLY 17TH CENTURY GERMAN MADONNA AND CHILD CARVED FIGURE on a later base, 8 1/2" high

THREE 18TH CENTURY OLD ENGLISH PATTERN TABLE SPOONS

A COLLECTION OF ROBERTSONS GOLLIWOGS and two small enamel tins

A BRASS COAL SCUTTLE and two irons

ATTRIBUTED TO JOSEPH HENDERSON (British, 1830-1908)
A mountain and valley scene, watercolour, signed with initials and dated 1842, 12" x 20"

AFTER GORDON KING
A limited edition coloured print, signed on the mount and numbered 86/600, 'Serena', 18" x 23"

AFTER FARINGTON
An aquatint of Cirencester, published by J & J Boydell, 9" x 12 1/2"

19TH CENTURY ENGLISH SCHOOL
A half-length pencil and watercolour wash portrait of a young gentleman, 7" x 6" and a similar slightly smaller portrait, each in original frames

F DONALD BLAKE (1908-1997)
'Sea and Rocks' and 'St Mary's Abbey, York' companion pieces, each signed lower right, acrylics, each 17 1/2" x 27 1/4" (2)

DAME ETHEL WALKER, A.R.A., N.E.A.C. (British, 1861-1951)
Portrait of The Honourable Reverend George Wingfield Bourke (1829-1903), son of the 5th Earl of Mayo, oils on canvas, 21 1/2" x 17 1/2"

This is one of the earliest known paintings by Ethel Walker. An amateur dealer, Mr Heatherington, contacted Marian Kratochwil in 1962, and Kratochwil infomed Knight that he was selling this painting. Knight then duly bought the picture for the princely sum of £10 (asking price £12)

A VAUGHAN AFTER TURNER
An Alpine lake, watercolour, signed and dated, 9 1/2" x 11" and a smaller watercolour sketch, 7 1/2" x 9"

MALCOLM J ROUND
A study of two Spaniel's heads, watercolour, signed and dated 1931, 5 1/2" x 6" and two other watercolours

W BERKELEY (British, 19th/20th Century)
'St Anns Staith and Bridge, Whitby', watercolour, signed, 10 1/2" x 15 3/4" and companion 'The Fish Quay, Whitby, Yorkshire', signed and dated 1905, 15" x 11 1/2" (2)

W BERKELEY (British, 19th/20th Century)
A fisherboy wearing clogs, watercolour, signed and dated 1903, 8 1/2" x 5 1/4", a pen and ink sketch of Billingham Beck and one other watercolour, probably of Whitby (3)

A LARGE REPRODUCTION MAP OF PARIS, 17" X 21"

ROLAND CLEMENTS (British, 20th Century)
Isle of Skye, acrylic, 14 12" x 13 1/2", signed and dated 1996, and a still life acrylic signed and dated 1997, 11 1/2" x 12" (2)

ROLAND CLEMENTS (British, 20th Century)
Cley Mill, Norfolk, watercolour and gouache, signed Ron Clements, 1994, 15 1/4" x 23"

ROLAND CLEMENTS (British, 20th Century)
A wintry farm scene, watercolour, signed and dated 1991, 10 1/2" x 16 1/4", and a mill and estuary view, watercolour, signed and dated 1991, 11 1/2" x 17 1/4" (2)

ROLAND CLEMENTS (British, 20th Century)
Downe Kent, line and wash sketch, signed and dated 1980 with inscription to the margin, 13 3/4" x 9 1/2", and two other smaller watercolours

ROLAND CLEMENTS (British, 20th Century)
A FOLIO OF UNFRAMED WATERCOLOURS to include snow at Tewkesbury Abbey, 1995, Oxford High Street and others

ROLAND CLEMENTS (British, 20th Century)
Five local coloured prints, including Lower Slaughter, each signed

A VICTORIAN WOOLWORK BIBLICAL STUDY in a gilt frame, 18" x 16"

A PAIR OF PEARS TYPE VICTORIAN PRINTS, each in original rosewood frame, 15" x 8 1/2"

A LARGE COLLECTION OF PRINTS and engravings to include, prints after Sir Godfrey Kneller and others

BRITISH SCHOOL
A LARGE THREE QUARTER LENGTH PORTRAIT of a gentleman in ceremonial dress and wearing wig, oil on canvas, 50" x 36"

HENRY C BRYANT (British fl. 1860-1880)
Still life of hanging game, basket of eggs, radishes and other fruit, signed upper right, oils on board, 18" x 12"

WILLIAM BLAKE
Still life of dead game on a stone ledge, oils on board, 8 1/2" x 6 3/4"

HENRY CHARLES FOX (British, 1860-1929)
Bringing in the cattle and with farm buildings and trees in an extensive country landscape, together with a companion piece, again of bringing in the cattle with farm buildings and calves, the former signed and dated 1912, the latter signed and dated 1913, watercolour and body colour, 14 1/2" x 21" (2)

DENYS LAW (British, 1907-1981)
A rainbow in a countryside valley, oil on board, 16 3/4" x 23"

MARY LOFTHOUSE (British, 1853-1885)
A view of Gloucester and Cheltenham, 1874, from a sketch book by Mary Foster 1853-1885, watercolour, 4 1/2" x 14"

A 19TH CENTURY GILT WOOD AND PLASTER LOUIS XIV STYLE FRAME, aperture 65cm x 117cm

MARIAN KRATOCHWIL (Polish, 1906-1997)
A brass engraving plate for printing two Don Quixote subjects, 'Don Quixote and Sancho Panza' and 'Don Quixote and Sancho allowing Dapple and Rocinante to Drink', Poland 1936/7, 14 1/2" x 20"

This was the artist's examination piece. The plate was made from brass and not the usual copper, therefore it was harder and less likely for the incisions to become blunt. The next two lots show good results from the plate when Kratochwil used it to create a print of either side in 1961.

A CARVED FRAME

A LARGE GILT FRAME