AFTER GIUSEPPE ZOCCHI
A pair of hand coloured architectural engravings of 'The Veduta del Ponte a S.Trinita, della Chiesa di S.Trinita, e della Colonna Inalzata da Cosimo I' and 'The Veduta della Badia Fiorentina, e del Pallazzo del Potesta presa della Piazza della Chiesa de PP. dell'Oratorio', each 11" x 15 1/2"

AFTER J GOULD AND H C RICHTER (British, 19th Century)
'Carcineutes Pulchellus' and 'Dacelo Tyro', hand coloured lithographs, each 19 1/2" x 14 1/4" (2)

A GROUP OF TOPOGRAPHICAL PRINTS including a scene of 'York Gate, Regent's Park, and Marylebone Church', after Thomas Shepherd (12)

AFTER SAMUEL HOWITT
'A Pig and Poultry' and 'Pig in Sty', etching, each with Folio Fine Art labels verso, together with six further similar engravings to include studies of dogs, goats and horses (8)

AFTER DANTE GABRIEL ROSSETTI
'A Christmas Carol', published by Robert Dunthorne, October 1, 1891, sepia etching, 11 3/4" x 9 3/4"

AFTER JEAN ETIENNE LIOTARD
La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, 'Petite Servante' from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, 'Therese', from Etudes d'Enfant, 8 x 6 1/4"; after Felicine Rops, 'Beurre d'Isiguy aux Halles', signed in the margin and dated November '75, etching, 6 3/4" x 5"; and nine further prints (13)

AFTER THOMAS ROWLANDSON
'Cuckfield,' aquatint, tinted by Alken, published by Messrs Robinson of Paternoster Row, London, 10" x 12 3/4"

JEAN DUPIN AFTER JEAN ANTOINE WATTEAU
A fashion study of a lady seated, engraving, 12" x 8 1/4"; after Francois Boucher, an engraving of a child with her back turned towards the viewer, numbered 314, 8 1/4" x 6", another hand coloured engraving after Boucher, 'Dainty Sweet Nosegays', published by Angiers, 8 3/4" x 6" and one further print of a girl called Mary Palmer, dated 1812 (4)

AFTER L F PENET
'Young Maiden and a Cherub', engraving, 4 1/4 x 2 1/4", Folio Society label verso; after Claude Gillot, 'Bacchus', etching, 11" x 6 3/4", two etchings after Maxime Lalanne, one of Paris the other Bordeaux, together with further prints and seven Chinese watercolours, all unframed

AFTER THOMAS AND WILLIAM DANIELL
A set of five aquatints of Chinese scenes, from 'A Picturesque Voyage to India; by the way of China', published by Longman, Hurst, Rees and Orne of London, 1810, to include Chinese junks, Chinese ladies, Chinese barber, Chinese husbandman and Chinese pavillion, each 6 1/2" x 8 3/4" (5)

AFTER HENRY ALKEN
A pair of hunting scenes, aquatints, 4 3/4" x 6 3/4"

A HAND COLOURED STUDY of Viola Odorata (black violet), on wove paper, 8 1/2" x 10 1/2" and two further hand coloured prints of flower studies (3)

A PAIR OF COLOURED PRINTS OF MONKEYS, published by Evans 1876, 9 1/2" x 7"

TWO SPY PRINTS of 'A Judicial Joker' and 'Slow and Steady', six further prints and watercolours (12)

AFTER THOMAS MALTON AND JOHN GANDON
'The New Bridge at Bath' and 'The New Rooms at Bath', sepia print, each 13" x 18 1/2"

AFTER ROBERT WESTALL AND THOMAS WHEATLEY
A set of four coloured engravings of ladies personifying the four seasons, each marked proof, engraved by Bartolozzi, each 5"x 4 1/4", together with eight further prints

AFTER B COLE
'A View of the Foundling Hospital', engraving on wove paper, 8 1/4" x 13"; two book plates, probably from the Vitruvius Britannicus, one of the elevation of the principal front of Moulsham Hall, 9 3/4" x 14 3/4", and the other of the south prospect of Cholmondeley Hall in Cheshire, 9 3/4" x 14 1/2", together with four further prints (7)

AFTER JOHN HOPPNER
Sir Ralph Abercrombie, Knight of The Bath, mezzotint, published by John Jeffryes, 12 1/4" x 10", and five further mezzotints of military officers to include Admiral George Pocock, The Right Honourable Lord Viscount Cathcart, Sir Samuel Hood, The Right Honourable George Brydges Baron Rodney, and Lieutenant General Thomas Graham (6)

AFTER GODFREY KNELLER
Spencer Compton, Earl of Wilmington, mezzotint, 13 3/4" x 9 3/4", two further mezzotints after Kneller of Sir John Vanbrugh, and The Right Honourable William Pulteney, together with six further mezzotints including Edmund Burke, Anna de Morton Comitissa, and Miss Charlotte Fish, after Joshua Reynolds (9)

AFTER THOMAS ALLOM
A set of eleven hand coloured engravings to include 'Cape Cornwall from the Lands End', 'Carclaze Tin Mine, near St. Austle'(sic), 'Launceston Castle, Cornwall' and 'Falmouth Harbour' together with two further Allom hand coloured engravings (13)

AFTER ALESSANDRO MOSCHETTI
A set of eight engravings of Roman scenes, to include 'Interno del Pantheon', 'Interno del Colosseo', 'Avanzi del Teatro di Marcello', and one further engraving of the inside of the Basilica di S Maria Maggiore (9)

FRANK GREENWOOD (British, 20th Century)
Market Place, Manchester, first stage etching with blank spaces left for re-etching marked with an X, 15 3/4" x 11 1/2", 'Gossips', signed in pencil in margin, 5" x 6 1/2"; another trial proof of a young child and a dog outside a grand stone building; 'Whalley Abbey', etching, 11 1/4" x 8" and 'Russell School', 13 1/2" x 13 1/4", and five further etchings including views of Whalley Abbey and Chateau Gaillard, all unframed (10)

AFTER FRANK HENRY MASON
The Fleet at Gibraltar, signed in pencil in the margin lower right, coloured lithograph, 14 1/2" x 22 1/4", another of the same scene, unsigned and another 'Homeward Bound, H.M.S. Amethyst leaving Malta', unsigned, 14" x 21 1/2"

A STIPPLE ENGRAVING 'The Fall of Rosamond', in original gilt frame, 12 1/2" diameter and a pair of oval classical engravings in Hogarth frames

AFTER THOMAS SPENCER
'The Portraiture of Crabb', 'The Portraiture of Lampery', 'The Portraiture of White Nose' and 'The Portraiture of Babraham', hand coloured engravings, each 11 5/8" x 13 1/2" (4)